What's On
Week of Events
Anna Newell Theatre Adventures & Riverbank Arts Centre Present An Attempt to Talk with the Beginning of the World
Anna Newell Theatre Adventures & Riverbank Arts Centre Present An Attempt to Talk with the Beginning of the World
an immersive dance show for babies aged 3-12 months “Doing theatre for babies is to explore the unknown. It goes against common sense. It’s political. It’s also necessary, I believe, because babies have a right to beauty and they’re not always exposed to it. Theatre for babies implies commitment, but a commitment that draws us
Anna Newell Theatre Adventures & Riverbank Arts Centre Present An Attempt to Talk with the Beginning of the World
Anna Newell Theatre Adventures & Riverbank Arts Centre Present An Attempt to Talk with the Beginning of the World
an immersive dance show for babies aged 3-12 months “Doing theatre for babies is to explore the unknown. It goes against common sense. It’s political. It’s also necessary, I believe, because babies have a right to beauty and they’re not always exposed to it. Theatre for babies implies commitment, but a commitment that draws us
Anna Newell Theatre Adventures & Riverbank Arts Centre Present An Attempt to Talk with the Beginning of the World
Anna Newell Theatre Adventures & Riverbank Arts Centre Present An Attempt to Talk with the Beginning of the World
an immersive dance show for babies aged 3-12 months “Doing theatre for babies is to explore the unknown. It goes against common sense. It’s political. It’s also necessary, I believe, because babies have a right to beauty and they’re not always exposed to it. Theatre for babies implies commitment, but a commitment that draws us
Anna Newell Theatre Adventures & Riverbank Arts Centre Present An Attempt to Talk with the Beginning of the World
Anna Newell Theatre Adventures & Riverbank Arts Centre Present An Attempt to Talk with the Beginning of the World
an immersive dance show for babies aged 3-12 months “Doing theatre for babies is to explore the unknown. It goes against common sense. It’s political. It’s also necessary, I believe, because babies have a right to beauty and they’re not always exposed to it. Theatre for babies implies commitment, but a commitment that draws us